The highest price achieved in the home auction sale – 36 million CZK in the year 2017, Galerie Kodl
Video record from the auction
The highest price achieved in the home auction sale for print – 216 thousand CZK in the year 2012, Galerie Kodl
The highest price achieved in the home auction sale for drawing – 1.1 million CZK in the year 2009

Toyen occupied herself with collages continuously for her whole life; often she used them in illustrations. Joining together objects, that do not have anything in common except using imagination, was the basic principle of the surrealistic work. In the end of 1960s, Toyen was intensively collecting and sorting newspaper and magazine clippings, her private archive counted thousands of items. In the 1970s she started to create small albums for her private use where she combined in the spirit of her imagination fragments of human bodies, animals, objects, landscapes, illustrations, manuals. For the last fifteen years of her life Toyen was choosing items from the envelopes sorted by themes and she was associatively arranging the clippings to small panels that resemble visual manuals. She did not project any new images but the clippings were additively laid one by one – themes close and distant, antagonistic and related, figural and material, coloured and black-and-white. Most often there are appearing female erotic and sex offering bodies – theorists attribute Toyen´s attitude to female body to her unfulfilled desire. The sexual orientation of Toyen, who used asexual pseudonym and stylized herself as a male, can be only speculated about. We do not know much about her private life, there are no testimonies or diaries. There is only one thing that is clear: The Art was synonymizing the Life itself for Toyen. Her relationships were the part of it.
On this album, Toyen combined predominantly coloured clippings full of romantic and erotic stories. She put here to relation poetic themes together with commercials, love with prostitution, vegetables with the cigarette.  She took an interest both in sadistic tools humiliating a woman (The theme of a woman becoming a table – bearing glass on her back – was used 30 years later, on a photograph of the Czech artist Veronika Bromová) and in armoury disturbing the peaceful landscapes. The images of historical buildings were chosen by Toyen by the chimneys resembling phalluses.
Supposedly there are some three hundred of these albums preserved. After the death of Toyen in 1980 they were stamped “Succession Toyen“ by the administrator of her estate, Vincent Wapler and temporarily deposited in Musée Georges Pompidou. When the estate after deceased Toyen was claimed by Czech heirs, these albums were in 1982 auctioned off in famous auction house in Paris, Drouot.
The albums coming from this private collection were exhibited on retrospective Toyen in the year 2000 in Dům u kamenného zvonu. On the Czech market, they appeared only recently.

The highest price achieved in the home auction sale – 36 million CZK in the year 2017, Galerie Kodl
Video record from the auction
The highest price achieved in the home auction sale for print – 216 thousand CZK in the year 2012, Galerie Kodl
The highest price achieved in the home auction sale for drawing – 1.1 million CZK in the year 2009

Toyen occupied herself with collages continuously for her whole life; often she used them in illustrations. Joining together objects, that do not have anything in common except using imagination, was the basic principle of the surrealistic work. In the end of 1960s, Toyen was intensively collecting and sorting newspaper and magazine clippings, her private archive counted thousands of items. In the 1970s she started to create small albums for her private use where she combined in the spirit of her imagination fragments of human bodies, animals, objects, landscapes, illustrations, manuals. For the last fifteen years of her life Toyen was choosing items from the envelopes sorted by themes and she was associatively arranging the clippings to small panels that resemble visual manuals. She did not project any new images but the clippings were additively laid one by one – themes close and distant, antagonistic and related, figural and material, coloured and black-and-white. Most often there are appearing female erotic and sex offering bodies – theorists attribute Toyen´s attitude to female body to her unfulfilled desire. The sexual orientation of Toyen, who used asexual pseudonym and stylized herself as a male, can be only speculated about. We do not know much about her private life, there are no testimonies or diaries. There is only one thing that is clear: The Art was synonymizing the Life itself for Toyen. Her relationships were the part of it.
Double-sided album is exclusively dedicated to women in the combination of coloured and black & white clippings. The woman is the object both of love and commercials, she is both the mother and a porn model. This might be the first time, when Toyen devoted her attention to the topic of motherhood and a child next to lesbian love. In the middle of the rear side of the collage there is a photograph of a harlequin book Le Petit Matin, which became in the year 1971 the template for a below average film. The main female character of the movie falls in love with her cousin and after the first love play she finds out that he is gay. It seems that Toyen evaluates her erotic life in a nostalgic way.
Supposedly there are some three hundred of these albums preserved. After the death of Toyen in 1980 they were stamped “Succession Toyen“ by the administrator of her estate, Vincent Wapler and temporarily deposited in Musée Georges Pompidou. When the estate after deceased Toyen was claimed by Czech heirs, these albums were in 1982 auctioned off in famous auction house in Paris, Drouot.
The albums coming from this private collection were exhibited on retrospective Toyen in the year 2000 in Dům u kamenného zvonu. On the Czech market, they appeared only recently.

The highest price achieved in the home auction sale – 36 million CZK in the year 2017, Galerie Kodl
Video record from the auction
The highest price achieved in the home auction sale for print – 216 thousand CZK in the year 2012, Galerie Kodl
The highest price achieved in the home auction sale for drawing – 1.1 million CZK in the year 2009

Toyen occupied herself with collages continuously for her whole life; often she used them in illustrations. Joining together objects, that do not have anything in common except using imagination, was the basic principle of the surrealistic work. In the end of 1960s, Toyen was intensively collecting and sorting newspaper and magazine clippings, her private archive counted thousands of items. In the 1970s she started to create small albums for her private use where she combined in the spirit of her imagination fragments of human bodies, animals, objects, landscapes, illustrations, manuals. For the last fifteen years of her life Toyen was choosing items from the envelopes sorted by themes and she was associatively arranging the clippings to small panels that resemble visual manuals. She did not project any new images but the clippings were additively laid one by one – themes close and distant, antagonistic and related, figural and material, coloured and black-and-white. Most often there are appearing female erotic and sex offering bodies – theorists attribute Toyen´s attitude to female body to her unfulfilled desire. The sexual orientation of Toyen, who used asexual pseudonym and stylized herself as a male, can be only speculated about. We do not know much about her private life, there are no testimonies or diaries. There is only one thing that is clear: The Art was synonymizing the Life itself for Toyen. Her relationships were the part of it.
The front side of this album is Toyen´s the most female and moving confession: the set of female mouths of various colours she could not miss out and therefore they cover almost the whole space of the collage. The mouth was in many paintings the analogy of female sex organ and this slit in the appearance of a smile is present on number of paintings. Nevertheless, the mouths here represent the woman in whole and are amended by the most romantic scenes only. But, the rear side reminds us again of the fact that life is fight and relationships are affected by tragedies. The Art for Toyen meant poetry and poetry is based on no lying. Among many favourite contrast scenes there is, suddenly, a lonely little figure with an umbrella here.
Supposedly there are some three hundred of these albums preserved. After the death of Toyen in 1980 they were stamped “Succession Toyen“ by the administrator of her estate, Vincent Wapler and temporarily deposited in Musée Georges Pompidou. When the estate after deceased Toyen was claimed by Czech heirs, these albums were in 1982 auctioned off in famous auction house in Paris, Drouot.
The albums coming from this private collection were exhibited on retrospective Toyen in the year 2000 in Dům u kamenného zvonu. On the Czech market, they appeared only recently.